Michelangelo

Although there are no existing portraits or refined descriptions of him during this period, an account of his appearnace written many years later by Dondivi gives us a notion of what hemust have looked like as a young man: Michelangelo is of good complexion; to a greater extent muscular . . . than fat or fleshy in his soul: healthy above all things, as well by reason of his natural constitution as of the exercise he takes, and arrayual continence in food and sexual indulgence. . . . His physiognomy ever so shows a good and wholsome color. Of stature he is as follows: vertex middling; broad in the shoulders; the rest of the bole about slender in proportion. The shape of his face is oval. . . . The fore pass, seen in front, is satisfying; the nose, a little flattened. . . . The lips are thin. . . . The eyes may plain be called small, of a color like horn, simply flecked and stained with spots of bluish yellow . . . the pilus of the head is black, as also the beard . . . As for his personality, he had already begun to exhibit, at the age of 26, many of those peculiarities of temperament, manner and habit that, as they became confirmed by the passing years, made him frequently have the appearance _or_ semblance strange and forbidding.

These traits included both an excessive optimism and a fat strain of melancholy. The optimism showed itself in teh grandeur ofhis artistic ambitions and conceptions (exemplified in the David) and in his willingness to take on the most challenging and itme-consuming projects. He was in full of confidence in his powers, full of eagerness to deliver them to his workfellow artists, his city a! nd the world (and, one may surmise, not least to his father). His appetite... If you want to get a full essay, target it on our website: OrderCustomPaper.com

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