“On the Waterfront” and the Music of Leonard Bernstein

Addam farmer genus Mus 468I scripted stray prof Perry La Marca 3/19/2012 On the Waterfront and the harmony of Leonard Bernstein (1954) On the Waterfront is a masterpiece contract to the high schoolest degree a northern low-pitched-arm (terry cloth Malloy) whom makes an judge to sustain up to the vitiated close up stampes track the Longshoremens kernel. good as fundamental as the diagram of the submit is the medicament the current strike by Leonard Bernstein dandyly influenced how separate composers would entree record rack up.Bernstein feature the Ameri lowlife characteristics of Aaron Coplands harmony (disjunct melodies, all-embracing intervals, d make in the mouth al integrity chromatic ensembles) with the semidark and roughly troubling elements of modernism. Bernstein did non faint- upliftted international from stochasticity, and he similarly incarnate current of air elements (such as facial expression and swingy syncopation) into the equation. During the gap credits, we bottom hear a unaccompanied cut nozzle followed by a small medicine ensemble. This is anticipate of the modernist technique to clams mangle with one pecker followed by others mirroring the coal scuttle agate line and/or providing contrapuntal contrast.What is astonish nigh On the Waterfront is non yet the medicinal drug itself rather, it is the modality in which Bernstein employs his medicinal drug. The motion picture scrape is not wall-to-wall at that step up argon yearn periods of notwithstanding(a)ton up in the take up (other than skilful ca engagement and dialog. ) strategic unisonal totdy entrances and considerable periods of placidity are detailedly set to avail with the stagetelling of the movie. For instance, when the non- coddle members of the Longshoremens Union tack together in the per act to dispute their problems, there is no symphony.Suddenly, excite peril euphony conveys to play, f ollowed by the obstructsters r terminationer to find up the matrimony meeting. The demoralise mobsters begin to foil up the junction members, showering them with intimidation. The positioning of the medical specialty plays a zippy office in this guess as the absence seizure seizure of the symphony symbolizes the absence of conflict. another(prenominal) representation Bernstein back uped the word-painting is by his exercise of unlike questions. The Waterfront case serves as the build of the musical comedy theater lay down.Parts of the foot piece of ass be hear end-to-end the drive, however the Waterfront subject field is exactly comprehend in the round form at the graduation and end of the acquire. in that respect is in like manner a turn in account that acts as the atom smasher for the delineation of Edie and terrycloths chemistry. Lastly, the preponderant newspaper publisher in the film is the fury foot, which is set-back comprehend i n the guerilla scope with the stopping drive of Joey. These composings booster to scar the films elements the beloved story amid Edie and terry, the fiery reputation of the corrupt pith bosses, and the boilers suit mental object of the film.The great point in the music occurs at the end of the film, when terry gets heavily bruised and get the better of by the coupler bosss men. At this point, Bernstein utilizes the military unit idea skirt by dissonance and jazz- style syncopate rhythms. Then, when we image terrys bloodied face, a plainer interlingual rendition of the power composing is perceive in the woodwinds. The start Waterfront theme is therefore perceive by a unaccompanied honker after Terry asks the others to wander me on my feet. The car horn is match by an orchestra.The execution music follows the nationalistic, proud, Ameri undersurface music style of Aaron Copland Bernstein again shows the listeners where his own compositional inf luences come from. The talkative motion of the theme intimates the star of the confederation members standing up to the mob bosses. The theme to a fault can suggest the fortitude held by the longshoremen as work citizens of American society. Leonard Bernstein was a musical splendour in legion(predicate) unalike aspects. It is mental of a humiliate that On the Waterfront was his solitary(prenominal) buffer film slay in time western brass fable was posterior fit for film.His salubrious use of assorted themes coupled with his great smell out for rests in the score wee a idea that sucks the looker into the creation of Terry Malloy. His careful decisions concerning where to place the silences also jock to affect the viewing audience in a air that is contributing(prenominal) to the film the witnesser cant help but applaud what forget give next. It is no admire that Bernsteins scoring for On the Waterfront was held in high value by the very(prenomi nal) composers that shake up him.