Muzak :: Personal Narrative Papers

Muzak .a true storySo t present I was brave year, walking through the supermarket on an afternoon like any other, try to get everything I neededpicking over the vegetables, as pop of a murky fog, I realized that my foot was tapping out a sonorous beat, apparently out of my concentration. Whats more amazing, I now see, is that the pointless rhythm from my foot matches a melody which has been ringing behind my thoughts as I decided what kind of onions to buy&emdashalso without me being to the full aware of it. All of a sudden, a minor physical repulsive force causes me to set down my basket on the produce, my body trying to turf out this foreign invasion. What is this thing? And that tune It sounds like a watered-down version of Eric Claptons acoustical Layla, terribly deflated and played by a bunch of sixty-year-old orchestra players&emdashI am still non too sure. But it will non seem to go away.the soothing sounds turn malicious as they bounce off the walls of the nutrition c enter, the meat department, housewares. Everyone I see is mill about around like before, are they hearing what fills my ears? Is that same insidious telephone call playing with their minds? Now that I focus on the music discursive from the loudspeaker in the ceiling, it appears as if they are all part of a silent movie&emdashacting against a separate, unrelated soundtrack.When I commencement started exploring background music, I came to realize that the issue involves much more than those antsy songs wafting from crappy mono speakers in department stores. It stretches far beyond these aboveboard associations, significantly affecting the changing workplace and worker control, as hearty as the site of consumption and consumer control. Muzak is now a tool astray used around the world&emdashliked by most people, venerable by some, and detested by others.Thats Muzak, not muzakIt is important to understand here that Muzak is not just another term for background (or, annoying) mus ic it should not be confused with the numerous impostors which play in elevators and the like. It is the name of an American corporation and its sophisticated business programming . As one of its brochures explains succinctly, The naked as a jaybird material of Muzak is music. And why is music unable to achieve the same results as their product? Because music is art, but Muzak it science. And when you employ the science of Muzak in an office, workers operate to get more done, more efficiently, and felt happier.